Pro c 2 gets the job done with style.
Mid side compression fabfilter.
Whether you need subtle mastering compression an upfront lead vocal that magic drum glue or deep edm pumping.
Fabfilter s pro q pro c and pro mb are three of my favorite tools for this sort of mid side processing.
The puigchild compressor modeled on the famed fairchild 670 compressor offers separate compression for the mid and sides channels referred to on the original unit as vertical and lateral.
But note that by increasing the sides you re making the reverb wider.
Fabfilter total bundle crack is intended to become your sound shaping tool.
Now it s a force to be reckoned with.
The fabfilter pro mb or wavesfactory trackspacer both offer this capability.
The idea would be to place the hats and crashes in the center pan position and trigger the top end of the bright synths to duck the hats crashes in the mid channel only.
Its new version pro c 2 179 adds five new compression styles and extremely powerful new controls.
Mid side demystified compressor side chain filters eq.
In this tutorial dan worrall explains the concept of mid side stereo processing discusses its uses using examples with the built in mid side processing in.
My favorite 2 plugins for doing mid side processing are the waves center and fabfilter pro q.
Another neat trick is to add mid side compression on a reverb send or return channel by compressing the mid channel more than the sides.
Minimum phase parallel compression with fabfilter pro c transient processing with fabfilter creative plug ins mastering with fabfilter pro plugins part 2 mastering with fabfilter pro plugins part 1.
Featuring mid side processing parallel compression capability and advanced sidechain functionality fabfilter s original pro c was an effective wideband compressor plug in in a crowded field.
This will retain the top end on the synths but clear a lane for the hats and crashes to live as well.
I used a broad scoop to only the mid band note the letter m on the bell of the arpeggiated synth to clear away frequencies that would compete with the vocal in the center in the example below from a song by elio.
